Cyberfeminism — something from the history that we relate to, the interest for how to use technology to work with our collective, with our practice as a group and our separate practices as artists, is there a difference anyway? It is a constant negotiation, re-negotiating terms as technology. The apps we use for chatting, the emails, information delivered or lost. Bad signal on the connection, background sounds, rain on a roof, a child, dogs barking, pots and pans in a kitchen, a laundry machine. Speaking order, echo, delay, trying to get heard in a group call. Agendas, protocols from meetings, summing up what was said on a meeting. Trying to meet IRL. Planning for the future, looking back. Being in the present. Looking for wifi in the countryside. Meeting AFK, networking with other artists, curators and collectives. Looking for a node where we can meet. What is ”we” and ”us”. Writing poetry on the Internet, having a space for creating art, it doesn’t have to be a physical space but we are forming our context.
Author: 0s+1s Collective and Maria Kotlyachkova
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Christopher Roth and Armen Avanessian
from the future at the present,
contingency,
desire,
intimate interfaces,
mother-machine,
cyberfeminism,
outsourcing,
corridor anomalies,
digital proletariat,
coincidance,
speculative synthesis
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0s+1s Collective and Masha Kotlyachkova
cyberfeminism,
intimate interfaces,
mother-machine,
dispersed collectivity,
affective labour,
practices of ourselves,
digital proletariat,
joy acceleration,
extensions,
pharmachoreography,
political dancefloor,
protocols of self-organisation,
speculative synthesis,
terror of relationship,
rhythm,
repetition,
care virus
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Jozi Stolet and Polina Shilkinite
mother-machine,
intimate interfaces,
from the future at the present,
cyberfeminism,
digital proletariat,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
sanatorium,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
htp,
care virus
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Lika Kareva
from the future at the present,
8-BIT DESIRE,
extractive capitalism,
cyberfeminism,
contingency,
mother-machine,
joy acceleration,
extensions,
self-destructing structures,
speculative synthesis,
htp,
protocols of self-organisation,
great stone,
rhythm
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Welcome To The Dollhouse!
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Anna Kinbom, Choterina Freer and Rut Karin Zettergren
rhythm,
weak disease,
repetition,
care virus,
coincidance,
affective labour,
contingency,
cyberfeminism,
from the future at the present,
speculative synthesis,
left melancholy
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Sasha Pistoletova and Yozhi Stolet
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Sasha Puchkova
alienation,
corridor anomalies,
cyberfeminism,
digital proletariat,
dispersed collectivity,
extensions,
htp,
intimate interfaces,
intoxication,
psychodata,
speculative synthesis
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Three Julietttes (Uliana Bychenkova,Janna Dolgova, Inna Krasnoper)
care virus,
coincidance,
contingency,
corridor anomalies,
cyberfeminism,
desire,
intimate interfaces,
intoxication,
pharmachoreography,
rhythm,
terror of relationship,
yesterday's unalienated celebration
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cyberfeminism, intimate interfaces, mother-machine, dispersed collectivity, affective labour, practices of ourselves, digital proletariat, joy acceleration, extensions, pharmachoreography, political dancefloor, protocols of self-organisation, speculative synthesis, terror of relationship, rhythm, repetition, care virus
