Apologize;
Legitimize oneself, validate your status and authority;
Prove a significant labor input;
Apologize again;
Tell that the received work is cool;
Lament about the limited resources;
(optional) justify the main reasons for rejection in case of impossibility to make individual letters*;
Apologize for the third time;
Tell, that next time everything will definitely work out;
Ask to subscribe for the newsletter, social networks;
Wish good luck.
___
- Recommended justifications:
а) small budget;
б) limited number of participants;
в) contextual or expositional discrepancy.
Author: Anastasia Vepreva
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Anastasia Kizilova
affective labour,
desire,
spontaneous grassroots alternative,
collection,
all to all,
contingency,
irla: an ideal rejection letter to an artist,
protocols of self-organisation,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
care virus
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Mia D. Suppiej
intimate interfaces,
mother-machine,
desire,
sports interest,
practices of ourselves,
h o o o o o o w w w w w l,
contingency,
irla: an ideal rejection letter to an artist,
joy acceleration,
extensions,
pharmachoreography,
tongue and teeth of creativity,
rhythm,
coincidance
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Jozi Stolet and Polina Shilkinite
mother-machine,
intimate interfaces,
from the future at the present,
cyberfeminism,
digital proletariat,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
sanatorium,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
htp,
care virus
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Tanja Setsko
path stop,
practices of ourselves,
affective labour,
left melancholy,
production drama,
dispersed collectivity,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
pharmachoreography,
protocols of self-organisation,
sanatorium,
alienation,
weak disease,
intoxication,
care virus
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Anastasia Vepreva
irla: an ideal rejection letter to an artist,
corridor anomalies,
affective labour,
quick knowledge,
extractive capitalism,
desire,
digital proletariat,
practice of small movements,
tongue and teeth of creativity,
repetition,
great stone,
alienation,
weak disease
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Anya Scherbyna
corridor anomalies,
outsourcing,
affective labour,
quick knowledge,
all to all,
desire,
practices of ourselves,
production drama,
path stop,
spontaneous grassroots alternative,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practice of small movements,
tongue and teeth of creativity,
care virus,
weak disease
-
Apparatus 22 and Sergey Kantsedal
affective labour,
collection,
contingency,
dispersed collectivity,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practices of ourselves,
protocols of self-organisation,
quick knowledge,
tongue and teeth of creativity,
yesterday's unalienated celebration
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Arina Nesterova, Nikita Nechaev
rhythm,
weak disease,
intoxication,
care virus,
all to all,
corridor anomalies,
h o o o o o o w w w w w l,
irla: an ideal rejection letter to an artist,
national academy of sciences as witch,
pharmachoreography,
practices of ourselves,
sanatorium
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corridor anomalies, outsourcing, affective labour, quick knowledge, all to all, desire, practices of ourselves, production drama, path stop, spontaneous grassroots alternative, exploitation of hidden motivation, irla: an ideal rejection letter to an artist, practice of small movements, tongue and teeth of creativity, care virus, weak disease
