The language of creativity is being increasingly occupied by neoliberal logic and capitalist precarity. We hear more and more mantras of creativity: touch me, sense me, more requests for free volunteer work, while losing decent working conditions (were they good once?). What forms of criticism, self-organization, understanding of creativity can we use? Do we need to defend the concept of creativity or, re-using the title of the essay by Audre Lorde, “the master’s tools will never dismantle the master’s house”? WH!PH! wants to discuss inventiveness ( izobretatel’nost ), criticism and exploitation through the creativity, history and practice of associations of cultural workers, forms of revitalization (gentrification?) and censorship, radical and collective creation. Can the sweet tongue of creativity hurt itself by a sharp tooth?
Author: Aleksei Borisionok
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GRECHA
dispersed collectivity,
psychodata,
affective labour,
intimate interfaces,
outsourcing,
extractive capitalism,
quick knowledge,
digital proletariat,
extensions,
speculative synthesis,
tongue and teeth of creativity,
htp,
great stone,
alienation,
repetition
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Anastasia Kizilova
affective labour,
desire,
spontaneous grassroots alternative,
collection,
all to all,
contingency,
irla: an ideal rejection letter to an artist,
protocols of self-organisation,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
care virus
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Mia D. Suppiej
intimate interfaces,
mother-machine,
desire,
sports interest,
practices of ourselves,
h o o o o o o w w w w w l,
contingency,
irla: an ideal rejection letter to an artist,
joy acceleration,
extensions,
pharmachoreography,
tongue and teeth of creativity,
rhythm,
coincidance
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Pyotr Vladimirov
outsourcing,
quick knowledge,
social choreography,
spontaneous grassroots alternative,
exploitation of hidden motivation,
psychodata,
contingency,
joy acceleration,
national academy of sciences as witch,
places of transparency,
protocols of self-organisation,
tongue and teeth of creativity,
exclusion of non-perspective pedestrians,
coincidance
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Jozi Stolet and Polina Shilkinite
mother-machine,
intimate interfaces,
from the future at the present,
cyberfeminism,
digital proletariat,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
sanatorium,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
htp,
care virus
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Alexandra Novozhenova
from the future at the present,
quick knowledge,
mother-machine,
practices of ourselves,
production drama,
all to all,
joy acceleration,
extensions,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis,
tongue and teeth of creativity,
rhythm,
repetition
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Anastasia Vepreva
irla: an ideal rejection letter to an artist,
corridor anomalies,
affective labour,
quick knowledge,
extractive capitalism,
desire,
digital proletariat,
practice of small movements,
tongue and teeth of creativity,
repetition,
great stone,
alienation,
weak disease
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Anya Scherbyna
corridor anomalies,
outsourcing,
affective labour,
quick knowledge,
all to all,
desire,
practices of ourselves,
production drama,
path stop,
spontaneous grassroots alternative,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practice of small movements,
tongue and teeth of creativity,
care virus,
weak disease
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APART
from the future at the present,
quick knowledge,
all to all,
extractive capitalism,
desire,
mother-machine,
practices of ourselves,
production drama,
digital proletariat,
practice of small movements,
extensions,
speculative synthesis,
tongue and teeth of creativity,
protocols of self-organisation,
great stone
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Apparatus 22 and Sergey Kantsedal
affective labour,
collection,
contingency,
dispersed collectivity,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practices of ourselves,
protocols of self-organisation,
quick knowledge,
tongue and teeth of creativity,
yesterday's unalienated celebration
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Ju Toman
corridor anomalies,
outsourcing,
quick knowledge,
desire,
object,
production drama,
social choreography,
digital proletariat,
places of transparency,
tongue and teeth of creativity,
htp,
alienation
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Tae Ateh
h o o o o o o w w w w w l,
intimate interfaces,
mother-machine,
object,
psychodata,
dispersed collectivity,
social choreography,
national academy of sciences as witch,
tongue and teeth of creativity,
protocols of self-organisation,
great stone,
alienation
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Kirila Cvetkovska, Vera Zalutskaya
rhythm,
weak disease,
care virus,
8-BIT DESIRE,
corridor anomalies,
dacha,
digital proletariat,
path stop,
practices of ourselves,
practice of small movements,
protocols of self-organisation,
sanatorium,
tongue and teeth of creativity
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Lena Ischenko, Anya Litovskih, Masha Sarycheva, Tonya Trubitsyna
great stone,
weak disease,
repetition,
exclusion of non-perspective pedestrians,
extractive capitalism,
from the future at the present,
practice of small movements,
self-destructing structures,
protocols of self-organisation,
production drama,
social choreography,
tongue and teeth of creativity
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Netzwerk für revolutionäre Ungeduld // FUTUR3 festival-crew
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Vita Zelenska, Marina Israilova
all to all,
coincidance,
contingency,
dispersed collectivity,
h o o o o o o w w w w w l,
intimate interfaces,
joy acceleration,
political dancefloor,
psychodata,
rhythm,
speculative synthesis,
tongue and teeth of creativity,
yesterday's unalienated celebration
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outsourcing, quick knowledge, social choreography, spontaneous grassroots alternative, exploitation of hidden motivation, psychodata, contingency, joy acceleration, national academy of sciences as witch, places of transparency, protocols of self-organisation, tongue and teeth of creativity, exclusion of non-perspective pedestrians, coincidance
corridor anomalies, outsourcing, affective labour, quick knowledge, all to all, desire, practices of ourselves, production drama, path stop, spontaneous grassroots alternative, exploitation of hidden motivation, irla: an ideal rejection letter to an artist, practice of small movements, tongue and teeth of creativity, care virus, weak disease
from the future at the present, quick knowledge, all to all, extractive capitalism, desire, mother-machine, practices of ourselves, production drama, digital proletariat, practice of small movements, extensions, speculative synthesis, tongue and teeth of creativity, protocols of self-organisation, great stone
