The production drama is the affectivity unfolding in the context of (re)production and transformation of the regimes of work and leisure. PD was one of the sub-genres of socialist realism in literature and cinema, but it can also describe the deformation of mental, emotional and cognitive competencies under the influence of the productive forces of capitalism and post-socialism. The drama in PD emphasizes the dialectical couple of oppression and liberation in the context of (re)production.
Author: Aleksei Borisionok
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Nadia Degtyareva, Nick Degtyarev
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Lina Miadzvedzeva and Maksim Karpitski
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Alexandra Novozhenova
from the future at the present,
desire,
affective labour,
practices of ourselves,
production drama,
all to all,
joy acceleration,
protocols of self-organisation,
speculative synthesis,
rhythm,
repetition,
coincidance
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Tanja Setsko
path stop,
practices of ourselves,
affective labour,
left melancholy,
production drama,
dispersed collectivity,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
pharmachoreography,
protocols of self-organisation,
sanatorium,
alienation,
weak disease,
intoxication,
care virus
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Alexandra Novozhenova
from the future at the present,
quick knowledge,
mother-machine,
practices of ourselves,
production drama,
all to all,
joy acceleration,
extensions,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis,
tongue and teeth of creativity,
rhythm,
repetition
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Anya Scherbyna
corridor anomalies,
outsourcing,
affective labour,
quick knowledge,
all to all,
desire,
practices of ourselves,
production drama,
path stop,
spontaneous grassroots alternative,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practice of small movements,
tongue and teeth of creativity,
care virus,
weak disease
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APART
from the future at the present,
quick knowledge,
all to all,
extractive capitalism,
desire,
mother-machine,
practices of ourselves,
production drama,
digital proletariat,
practice of small movements,
extensions,
speculative synthesis,
tongue and teeth of creativity,
protocols of self-organisation,
great stone
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Ju Toman
corridor anomalies,
outsourcing,
quick knowledge,
desire,
object,
production drama,
social choreography,
digital proletariat,
places of transparency,
tongue and teeth of creativity,
htp,
alienation
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Roman Aksionov
corridor anomalies,
outsourcing,
all to all,
extractive capitalism,
left melancholy,
production drama,
spontaneous grassroots alternative,
exploitation of hidden motivation,
practice of small movements,
national academy of sciences as witch,
self-destructing structures,
repetition,
alienation
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Uladzimir Hramovich
from the future at the present,
quick knowledge,
extractive capitalism,
all to all,
left melancholy,
production drama,
national academy of sciences as witch,
places of transparency,
self-destructing structures,
alienation,
exclusion of non-perspective pedestrians,
great stone
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Anna Tereshkina, Helga Zinzyver
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Anton Lapov and Larion Lozovoy
rhythm,
alienation,
repetition,
exclusion of non-perspective pedestrians,
8-BIT DESIRE,
digital proletariat,
exploitation of hidden motivation,
intimate interfaces,
joy acceleration,
production drama,
psychodata,
quick knowledge,
self-destructing structures
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Antonina Stebur
alienation,
repetition,
care virus,
affective labour,
corridor anomalies,
desire,
path stop,
practices of ourselves,
production drama,
psychodata,
quick knowledge,
terror of relationship
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eeefff
repetition,
care virus,
coincidance,
weak disease,
intoxication,
all to all,
corridor anomalies,
digital proletariat,
dispersed collectivity,
outsourcing,
protocols of self-organisation,
production drama,
sanatorium
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Elena Vogman, Clemens von Wedemeyer
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Lena Ischenko, Anya Litovskih, Masha Sarycheva, Tonya Trubitsyna
great stone,
weak disease,
repetition,
exclusion of non-perspective pedestrians,
extractive capitalism,
from the future at the present,
practice of small movements,
self-destructing structures,
protocols of self-organisation,
production drama,
social choreography,
tongue and teeth of creativity
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Max Evstropov / party of the dead
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Netzwerk für revolutionäre Ungeduld // FUTUR3 festival-crew
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Olia Sosnovskaya
alienation,
desire,
extractive capitalism,
intimate interfaces,
intoxication,
pharmachoreography,
political dancefloor,
production drama,
rhythm,
social choreography,
weak disease
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«Union of convalescents» and playfellows