What political dimensions does the sound or the body moving on the dancefloor have? The affect generated by music and distributed in the space is the strongest tool of shared collectivity. “Gender of sound”* , material conditions of music production, depression after discoteque, night as queer-time, music and political protests, spoiled party and aural engagement: “political dance floor” invites to DJ sets, sessions of collective listening, performances, etc.
- The name of the research project of Сara Tolmie and Susanna Jablonski
Author: Aleksei Borisionok
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TECHNO-POETRY + MASQUE NOIR
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Diskrassvet
all to all,
dispersed collectivity,
contingency,
practices of ourselves,
social choreography,
8-BIT DESIRE,
yesterday's unalienated celebration,
h o o o o o o w w w w w l,
joy acceleration,
national academy of sciences as witch,
pharmachoreography,
political dancefloor,
rhythm,
intoxication
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Jura Shust
from the future at the present,
intimate interfaces,
h o o o o o o w w w w w l,
desire,
contingency,
joy acceleration,
pharmachoreography,
political dancefloor,
national academy of sciences as witch,
yesterday's unalienated celebration,
great stone,
rhythm,
repetition
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0s+1s Collective and Masha Kotlyachkova
cyberfeminism,
intimate interfaces,
mother-machine,
dispersed collectivity,
affective labour,
practices of ourselves,
digital proletariat,
joy acceleration,
extensions,
pharmachoreography,
political dancefloor,
protocols of self-organisation,
speculative synthesis,
terror of relationship,
rhythm,
repetition,
care virus
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The Center for the Research on Intimate Interfaces (Polina Shilkinite, Sasha Pistoletova, Jozhi Stolet)
joy acceleration,
8-BIT DESIRE,
h o o o o o o w w w w w l,
corridor anomalies,
outsourcing,
all to all,
yesterday's unalienated celebration,
collection,
dispersed collectivity,
social choreography,
political dancefloor,
rhythm,
repetition
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Frida Sandström
from the future at the present,
corridor anomalies,
yesterday's unalienated celebration,
practices of ourselves,
dispersed collectivity,
social choreography,
practice of small movements,
joy acceleration,
political dancefloor,
speculative synthesis,
rhythm,
coincidance
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Marina Russkikh and Helga Zinzyver
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Pavlo Mitenko, Eugene Markin
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Your mother’s maiden name
h o o o o o o w w w w w l,
affective labour,
yesterday's unalienated celebration,
desire,
practices of ourselves,
dispersed collectivity,
social choreography,
political dancefloor,
terror of relationship,
protocols of self-organisation,
rhythm,
care virus,
repetition
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Anna Tereshkina, Helga Zinzyver
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Kassandra
rhythm,
repetition,
desire,
extensions,
h o o o o o o w w w w w l,
mother-machine,
political dancefloor,
practices of ourselves,
social choreography,
yesterday's unalienated celebration,
speculative synthesis
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Olia Sosnovskaya
alienation,
desire,
extractive capitalism,
intimate interfaces,
intoxication,
pharmachoreography,
political dancefloor,
production drama,
rhythm,
social choreography,
weak disease
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Vita Zelenska, Marina Israilova
all to all,
coincidance,
contingency,
dispersed collectivity,
h o o o o o o w w w w w l,
intimate interfaces,
joy acceleration,
political dancefloor,
psychodata,
rhythm,
speculative synthesis,
tongue and teeth of creativity,
yesterday's unalienated celebration
cyberfeminism, intimate interfaces, mother-machine, dispersed collectivity, affective labour, practices of ourselves, digital proletariat, joy acceleration, extensions, pharmachoreography, political dancefloor, protocols of self-organisation, speculative synthesis, terror of relationship, rhythm, repetition, care virus
