Joy Acceleration is an acceleration, understood as the / equivalent expression “to ride with the wind with pure joy.” Joy Acceleration does not pursue any pragmatic goal, except pure joy, which is performed by repetition. The time delay between zero speed and fifth speed is equal to a click of fingers. Automation of the body due to the repetition of the corona movement of someone else’s body or structure is possible. Do it. Joy Acceleration can be done on a rave (riding on the movements of someone else’s body) or in a dance (riding on the wheel collectivity).
Author: The Center for the Research on Intimate Interfaces (Polina Shilkinite, Sasha Pistoletova, Jozhi Stolet
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TECHNO-POETRY + MASQUE NOIR
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Virgile Novarina, Jean Seban, Tatiana Efrussi
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Anna Shcherbyna
sports interest,
affective labour,
practices of ourselves,
intimate interfaces,
joy acceleration,
extensions,
pharmachoreography,
sanatorium,
rhythm,
alienation,
repetition
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Anton Sorokin
desire,
8-BIT DESIRE,
social choreography,
mother-machine,
sports interest,
intimate interfaces,
psychodata,
digital proletariat,
joy acceleration,
pharmachoreography,
speculative synthesis,
htp,
intoxication,
repetition
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Diskrassvet
all to all,
dispersed collectivity,
contingency,
practices of ourselves,
social choreography,
8-BIT DESIRE,
yesterday's unalienated celebration,
h o o o o o o w w w w w l,
joy acceleration,
national academy of sciences as witch,
pharmachoreography,
political dancefloor,
rhythm,
intoxication
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Jura Shust
from the future at the present,
intimate interfaces,
h o o o o o o w w w w w l,
desire,
contingency,
joy acceleration,
pharmachoreography,
political dancefloor,
national academy of sciences as witch,
yesterday's unalienated celebration,
great stone,
rhythm,
repetition
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0s+1s Collective and Masha Kotlyachkova
cyberfeminism,
intimate interfaces,
mother-machine,
dispersed collectivity,
affective labour,
practices of ourselves,
digital proletariat,
joy acceleration,
extensions,
pharmachoreography,
political dancefloor,
protocols of self-organisation,
speculative synthesis,
terror of relationship,
rhythm,
repetition,
care virus
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Mia D. Suppiej
intimate interfaces,
mother-machine,
desire,
sports interest,
practices of ourselves,
h o o o o o o w w w w w l,
contingency,
irla: an ideal rejection letter to an artist,
joy acceleration,
extensions,
pharmachoreography,
tongue and teeth of creativity,
rhythm,
coincidance
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Pyotr Vladimirov
outsourcing,
quick knowledge,
social choreography,
spontaneous grassroots alternative,
exploitation of hidden motivation,
psychodata,
contingency,
joy acceleration,
national academy of sciences as witch,
places of transparency,
protocols of self-organisation,
tongue and teeth of creativity,
exclusion of non-perspective pedestrians,
coincidance
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Alexandra Novozhenova
from the future at the present,
desire,
affective labour,
practices of ourselves,
production drama,
all to all,
joy acceleration,
protocols of self-organisation,
speculative synthesis,
rhythm,
repetition,
coincidance
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Alexandra Novozhenova
from the future at the present,
quick knowledge,
mother-machine,
practices of ourselves,
production drama,
all to all,
joy acceleration,
extensions,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis,
tongue and teeth of creativity,
rhythm,
repetition
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atom
h o o o o o o w w w w w l,
all to all,
intimate interfaces,
contingency,
dispersed collectivity,
social choreography,
spontaneous grassroots alternative,
sports interest,
joy acceleration,
places of transparency,
rhythm,
repetition
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The Center for the Research on Intimate Interfaces (Polina Shilkinite, Sasha Pistoletova, Jozhi Stolet)
joy acceleration,
8-BIT DESIRE,
h o o o o o o w w w w w l,
corridor anomalies,
outsourcing,
all to all,
yesterday's unalienated celebration,
collection,
dispersed collectivity,
social choreography,
political dancefloor,
rhythm,
repetition
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Frida Sandström
from the future at the present,
corridor anomalies,
yesterday's unalienated celebration,
practices of ourselves,
dispersed collectivity,
social choreography,
practice of small movements,
joy acceleration,
political dancefloor,
speculative synthesis,
rhythm,
coincidance
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Lika Kareva
from the future at the present,
8-BIT DESIRE,
extractive capitalism,
cyberfeminism,
contingency,
mother-machine,
joy acceleration,
extensions,
self-destructing structures,
speculative synthesis,
htp,
protocols of self-organisation,
great stone,
rhythm
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atom
8-BIT DESIRE,
yesterday's unalienated celebration,
dacha,
intimate interfaces,
practices of ourselves,
object,
path stop,
spontaneous grassroots alternative,
sports interest,
exploitation of hidden motivation,
joy acceleration,
extensions,
sanatorium,
alienation,
rhythm
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Pavlo Mitenko, Eugene Markin
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Maria Sarycheva and Elena Ischenko in collaboration with Blue 321
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WORK HARD! PLAY HARD! working group
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akunka
rhythm,
intoxication,
repetition,
exclusion of non-perspective pedestrians,
coincidance,
all to all,
dispersed collectivity,
collection,
desire,
h o o o o o o w w w w w l,
joy acceleration,
places of transparency,
psychodata,
social choreography
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Alisa Oleva
rhythm,
alienation,
repetition,
exclusion of non-perspective pedestrians,
coincidance,
contingency,
dispersed collectivity,
exploitation of hidden motivation,
h o o o o o o w w w w w l,
joy acceleration,
protocols of self-organisation,
quick knowledge,
social choreography,
sports interest
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Anton Lapov and Larion Lozovoy
rhythm,
alienation,
repetition,
exclusion of non-perspective pedestrians,
8-BIT DESIRE,
digital proletariat,
exploitation of hidden motivation,
intimate interfaces,
joy acceleration,
production drama,
psychodata,
quick knowledge,
self-destructing structures
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n i i c h e g o d e l a t (Research Institute of doing nothing)
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Uliana Bychenkova, Aliaxey Talstou, Tatiana Efrussi
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Vita Zelenska, Marina Israilova
all to all,
coincidance,
contingency,
dispersed collectivity,
h o o o o o o w w w w w l,
intimate interfaces,
joy acceleration,
political dancefloor,
psychodata,
rhythm,
speculative synthesis,
tongue and teeth of creativity,
yesterday's unalienated celebration