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Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV Roman Osminkin -> Labour as “repressed” of the art: amateur performance of WEB 2.0 epoch Nikolay Karabinovych -> Ugly tapes from Balkan Dj-set Anastasia Kizilova -> FOUND PROJECT! Uladzimir Hramovich -> “Glorious youth stepped underground”. Notes on the salt galleries as museums of the corporation-state Vital Shchutski -> Report on a walk in the shopping center Le BHV

Glossary ->
collection

Collection as a form of enrichment. According to Luc Boltanski and Arnaud Esquerre (Enrichissement, Une critique de la marchandise, 2017), the creation of collections is a new way of producing surplus value in contemporary capitalism. “Classic” capitalism extracts surplus value by reducing the costs associated with production and, in particular, by reducing the wages of workers. However, today in post-industrial societies, surplus value is created through the transformation of everyday objects in the rank of collectibles. This effect is achieved with the help of storytelling, bringing objects closer to folk craft, works of art and cultural heritage.

Author: Vital Shchutski