The action takes place in the landscape, where the material for ideological constructions is plasterboard and banner fabric stretched over the frame for the press-wall. Where self-destructing new buildings coexist with (self)liquidating cultural institutions.
Planned self-destruction is a tool for competing uncertainty, an integral part of the strategy of unrestrained prototyping, appropriating areas that used to be similar to places of eternity arrangement.
Our question is how to survive, when someone is engaged in a planned self-destruction? How to expropriate the slogan of a startup culture “Fail fast and cheap. Fail often. Fail in a way that doesn’t kill you”? How to learn manoeuvring between radical destruction and rebuild, when together with dropping back from our homes and dance floors we are looking for resources to create new ones.
Author: Nicolay Spesivtsev
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Alisa Oleva
social choreography,
dispersed collectivity,
psychodata,
corridor anomalies,
path stop,
practice of small movements,
extensions,
places of transparency,
protocols of self-organisation,
self-destructing structures,
rhythm,
repetition
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Anastasia Kizilova
affective labour,
desire,
spontaneous grassroots alternative,
collection,
all to all,
contingency,
irla: an ideal rejection letter to an artist,
protocols of self-organisation,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
care virus
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Jozi Stolet and Polina Shilkinite
mother-machine,
intimate interfaces,
from the future at the present,
cyberfeminism,
digital proletariat,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
sanatorium,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
htp,
care virus
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Vital Shchutski
corridor anomalies,
collection,
object,
desire,
psychodata,
social choreography,
quick knowledge,
places of transparency,
self-destructing structures,
htp,
exclusion of non-perspective pedestrians
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Andrei Karpeka and Nastia Tulayeva
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Lika Kareva
from the future at the present,
8-BIT DESIRE,
extractive capitalism,
cyberfeminism,
contingency,
mother-machine,
joy acceleration,
extensions,
self-destructing structures,
speculative synthesis,
htp,
protocols of self-organisation,
great stone,
rhythm
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Maria Rybka and Yuriy Kuzmenko
corridor anomalies,
outsourcing,
extractive capitalism,
desire,
object,
digital proletariat,
extensions,
places of transparency,
self-destructing structures,
htp,
great stone,
intoxication
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Roman Aksionov
corridor anomalies,
outsourcing,
all to all,
extractive capitalism,
left melancholy,
production drama,
spontaneous grassroots alternative,
exploitation of hidden motivation,
practice of small movements,
national academy of sciences as witch,
self-destructing structures,
repetition,
alienation
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Uladzimir Hramovich
from the future at the present,
quick knowledge,
extractive capitalism,
all to all,
left melancholy,
production drama,
national academy of sciences as witch,
places of transparency,
self-destructing structures,
alienation,
exclusion of non-perspective pedestrians,
great stone
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Anton Lapov and Larion Lozovoy
rhythm,
alienation,
repetition,
exclusion of non-perspective pedestrians,
8-BIT DESIRE,
digital proletariat,
exploitation of hidden motivation,
intimate interfaces,
joy acceleration,
production drama,
psychodata,
quick knowledge,
self-destructing structures
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Anya and Valentine
alienation,
weak disease,
intoxication,
care virus,
8-BIT DESIRE,
all to all,
extensions,
h o o o o o o w w w w w l,
intimate interfaces,
practice of small movements,
practices of ourselves,
self-destructing structures,
spontaneous grassroots alternative,
yesterday's unalienated celebration
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Karen Karnak, Roman Aksenov
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Lena Ischenko, Anya Litovskih, Masha Sarycheva, Tonya Trubitsyna
great stone,
weak disease,
repetition,
exclusion of non-perspective pedestrians,
extractive capitalism,
from the future at the present,
practice of small movements,
self-destructing structures,
protocols of self-organisation,
production drama,
social choreography,
tongue and teeth of creativity
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