The great stone disintegrated inside of her overheated brain into several components: the image of a stone, the materiality of which she was researching in computer games; lacunas, trenches and all other poisonous imprints of extractive capitalism – her body was sticking into hot and wet bedsheets – and relation to the territory out of property positions. She felt at a loss and got bogged down in a wildwood, deforestation and vagaries of google maps between the village with the paganish name and the homonymic industrial People’s Republic of China park. She wanted to occupy these “productions of tomorrow”.
Author: WHPH working group
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Nadia Degtyareva, Nick Degtyarev
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GRECHA
dispersed collectivity,
psychodata,
affective labour,
intimate interfaces,
outsourcing,
extractive capitalism,
quick knowledge,
digital proletariat,
extensions,
speculative synthesis,
tongue and teeth of creativity,
htp,
great stone,
alienation,
repetition
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Jura Shust
from the future at the present,
intimate interfaces,
h o o o o o o w w w w w l,
desire,
contingency,
joy acceleration,
pharmachoreography,
political dancefloor,
national academy of sciences as witch,
yesterday's unalienated celebration,
great stone,
rhythm,
repetition
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Anastasia Vepreva
irla: an ideal rejection letter to an artist,
corridor anomalies,
affective labour,
quick knowledge,
extractive capitalism,
desire,
digital proletariat,
practice of small movements,
tongue and teeth of creativity,
repetition,
great stone,
alienation,
weak disease
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APART
from the future at the present,
quick knowledge,
all to all,
extractive capitalism,
desire,
mother-machine,
practices of ourselves,
production drama,
digital proletariat,
practice of small movements,
extensions,
speculative synthesis,
tongue and teeth of creativity,
protocols of self-organisation,
great stone
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Lena Klabukova
corridor anomalies,
quick knowledge,
extractive capitalism,
desire,
intimate interfaces,
mother-machine,
oriental retromania,
practices of ourselves,
psychodata,
sports interest,
practice of small movements,
extensions,
national academy of sciences as witch,
sanatorium,
great stone,
intoxication,
care virus
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Lika Kareva
from the future at the present,
8-BIT DESIRE,
extractive capitalism,
cyberfeminism,
contingency,
mother-machine,
joy acceleration,
extensions,
self-destructing structures,
speculative synthesis,
htp,
protocols of self-organisation,
great stone,
rhythm
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Maria Rybka and Yuriy Kuzmenko
corridor anomalies,
outsourcing,
extractive capitalism,
desire,
object,
digital proletariat,
extensions,
places of transparency,
self-destructing structures,
htp,
great stone,
intoxication
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Tae Ateh
h o o o o o o w w w w w l,
intimate interfaces,
mother-machine,
object,
psychodata,
dispersed collectivity,
social choreography,
national academy of sciences as witch,
tongue and teeth of creativity,
protocols of self-organisation,
great stone,
alienation
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Uladzimir Hramovich
from the future at the present,
quick knowledge,
extractive capitalism,
all to all,
left melancholy,
production drama,
national academy of sciences as witch,
places of transparency,
self-destructing structures,
alienation,
exclusion of non-perspective pedestrians,
great stone
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Aleksei Borisionok
great stone,
rhythm,
alienation,
weak disease,
care virus,
affective labour,
contingency,
dispersed collectivity,
h o o o o o o w w w w w l,
intimate interfaces,
practice of small movements,
practices of ourselves
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Karen Karnak, Roman Aksenov
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Lena Ischenko, Anya Litovskih, Masha Sarycheva, Tonya Trubitsyna
great stone,
weak disease,
repetition,
exclusion of non-perspective pedestrians,
extractive capitalism,
from the future at the present,
practice of small movements,
self-destructing structures,
protocols of self-organisation,
production drama,
social choreography,
tongue and teeth of creativity
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Max Evstropov / party of the dead
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