In the era of universal rationalization the National Academy of Sciences produces collective knowledge, whose production methods are soup from bureaucracy, market reforms, the Soviet legacy, science, understood as “satisfaction of one’s own curiosity at the state expense” and purely administrative and economic activities. WHPH offers to recode this place in the very city center, referring to it as something that brings us healing, where neoliberal norms of human rights are suspended, where one can smoke at the corridors, and and you can see the reflection of steam from the boiler in the wrinkles of an academician — a collective dinosaur looking at us from the billboard — in which he cooks his formulations. There is a museum of achievements, satellites on a red carpet; they produce wine and a “formula of tranquility” — tablets “tryptophan”. It is a witch house, free from the pressure of society.
Author: Dzina Zhuk
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Union “OBSERVATION²” (Aleksei Naumchik and Maksim Sarychev)
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Diskrassvet
all to all,
dispersed collectivity,
contingency,
practices of ourselves,
social choreography,
8-BIT DESIRE,
yesterday's unalienated celebration,
h o o o o o o w w w w w l,
joy acceleration,
national academy of sciences as witch,
pharmachoreography,
political dancefloor,
rhythm,
intoxication
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Jura Shust
from the future at the present,
intimate interfaces,
h o o o o o o w w w w w l,
desire,
contingency,
joy acceleration,
pharmachoreography,
political dancefloor,
national academy of sciences as witch,
yesterday's unalienated celebration,
great stone,
rhythm,
repetition
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Pyotr Vladimirov
outsourcing,
quick knowledge,
social choreography,
spontaneous grassroots alternative,
exploitation of hidden motivation,
psychodata,
contingency,
joy acceleration,
national academy of sciences as witch,
places of transparency,
protocols of self-organisation,
tongue and teeth of creativity,
exclusion of non-perspective pedestrians,
coincidance
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Alexandra Novozhenova
from the future at the present,
quick knowledge,
mother-machine,
practices of ourselves,
production drama,
all to all,
joy acceleration,
extensions,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis,
tongue and teeth of creativity,
rhythm,
repetition
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Lena Klabukova
corridor anomalies,
quick knowledge,
extractive capitalism,
desire,
intimate interfaces,
mother-machine,
oriental retromania,
practices of ourselves,
psychodata,
sports interest,
practice of small movements,
extensions,
national academy of sciences as witch,
sanatorium,
great stone,
intoxication,
care virus
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Roman Aksionov
corridor anomalies,
outsourcing,
all to all,
extractive capitalism,
left melancholy,
production drama,
spontaneous grassroots alternative,
exploitation of hidden motivation,
practice of small movements,
national academy of sciences as witch,
self-destructing structures,
repetition,
alienation
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Tae Ateh
h o o o o o o w w w w w l,
intimate interfaces,
mother-machine,
object,
psychodata,
dispersed collectivity,
social choreography,
national academy of sciences as witch,
tongue and teeth of creativity,
protocols of self-organisation,
great stone,
alienation
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Uladzimir Hramovich
from the future at the present,
quick knowledge,
extractive capitalism,
all to all,
left melancholy,
production drama,
national academy of sciences as witch,
places of transparency,
self-destructing structures,
alienation,
exclusion of non-perspective pedestrians,
great stone
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Arina Nesterova, Nikita Nechaev
rhythm,
weak disease,
intoxication,
care virus,
all to all,
corridor anomalies,
h o o o o o o w w w w w l,
irla: an ideal rejection letter to an artist,
national academy of sciences as witch,
pharmachoreography,
practices of ourselves,
sanatorium
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Klabukova Lena & Katya Pislari
intoxication,
repetition,
weak disease,
coincidance,
contingency,
corridor anomalies,
dispersed collectivity,
extensions,
intimate interfaces,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis
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