Attempts to get out of stupor. Entering an uncomfortable zone that moves you beyond the notation of the problem. Aesthetics impaction which you would like to destroy. Broken transmissions. Imagination expansion question and its release from naturalized fixed forms. The construction of a new reality and collectivity within the familiar system of connections. Appropriation. Contextomy and reframing of the context. Collapsing of technological desires. Delight as a form of political. Provoking new forms of institutionalization. Falling and weaving time at different levels. Complexity of levels. Mismatches. Splitting time. Breakdowns of narrativization. You are always at the beginning and always at the end. Creating a utopia with a non-nostalgic view at the past or at the distant future. Creating a utopia of the present.
Author: Dzina Zhuk
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Christopher Roth and Armen Avanessian
from the future at the present,
contingency,
desire,
intimate interfaces,
mother-machine,
cyberfeminism,
outsourcing,
corridor anomalies,
digital proletariat,
coincidance,
speculative synthesis
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Jura Shust
from the future at the present,
intimate interfaces,
h o o o o o o w w w w w l,
desire,
contingency,
joy acceleration,
pharmachoreography,
political dancefloor,
national academy of sciences as witch,
yesterday's unalienated celebration,
great stone,
rhythm,
repetition
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Alexandra Novozhenova
from the future at the present,
desire,
affective labour,
practices of ourselves,
production drama,
all to all,
joy acceleration,
protocols of self-organisation,
speculative synthesis,
rhythm,
repetition,
coincidance
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Jozi Stolet and Polina Shilkinite
mother-machine,
intimate interfaces,
from the future at the present,
cyberfeminism,
digital proletariat,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
sanatorium,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
htp,
care virus
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Alexandra Novozhenova
from the future at the present,
quick knowledge,
mother-machine,
practices of ourselves,
production drama,
all to all,
joy acceleration,
extensions,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis,
tongue and teeth of creativity,
rhythm,
repetition
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Andrei Karpeka and Nastia Tulayeva
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APART
from the future at the present,
quick knowledge,
all to all,
extractive capitalism,
desire,
mother-machine,
practices of ourselves,
production drama,
digital proletariat,
practice of small movements,
extensions,
speculative synthesis,
tongue and teeth of creativity,
protocols of self-organisation,
great stone
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Frida Sandström
from the future at the present,
corridor anomalies,
yesterday's unalienated celebration,
practices of ourselves,
dispersed collectivity,
social choreography,
practice of small movements,
joy acceleration,
political dancefloor,
speculative synthesis,
rhythm,
coincidance
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Lika Kareva
from the future at the present,
8-BIT DESIRE,
extractive capitalism,
cyberfeminism,
contingency,
mother-machine,
joy acceleration,
extensions,
self-destructing structures,
speculative synthesis,
htp,
protocols of self-organisation,
great stone,
rhythm
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Uladzimir Hramovich
from the future at the present,
quick knowledge,
extractive capitalism,
all to all,
left melancholy,
production drama,
national academy of sciences as witch,
places of transparency,
self-destructing structures,
alienation,
exclusion of non-perspective pedestrians,
great stone
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Anna Kinbom, Choterina Freer and Rut Karin Zettergren
rhythm,
weak disease,
repetition,
care virus,
coincidance,
affective labour,
contingency,
cyberfeminism,
from the future at the present,
speculative synthesis,
left melancholy
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Lena Ischenko, Anya Litovskih, Masha Sarycheva, Tonya Trubitsyna
great stone,
weak disease,
repetition,
exclusion of non-perspective pedestrians,
extractive capitalism,
from the future at the present,
practice of small movements,
self-destructing structures,
protocols of self-organisation,
production drama,
social choreography,
tongue and teeth of creativity
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Silvia Amancei & Bogdan Armanu