- Have you ever taken any substances to affect your condition while working or resting? What are the feelings associated with this experience: euphoria, depression, other strong or weak feelings? Describe how the perception of your own body and your motor functions changed before and after you took them. Describe how you felt inside a group of people before and after taking the stimulant. We invite you to take a closer look at your neuroses, diseases and pleasures that you share with others, through which you socialize, and those, which, on the contrary, push you out of groups. Do they correspond to the contemporary capitalist formation? What substances nourish / suppress them? What is their pharmacodynamics?
Author: WHPH working group
- A set of prescriptions, notations, bodies and movements encompassing relations and substances that create and sustain affects. Pharmachoreography spans a mise en scène that telescopes from moleclar neurotransmitters to the intersubjective to the planetary social political economy of epistemes, productive forces, relations, and logistical supply chains of substances of affect.
Author: Egor Sofronov
Author: WHPH working group, Egor Sofronov
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Anna Shcherbyna
sports interest,
affective labour,
practices of ourselves,
intimate interfaces,
joy acceleration,
extensions,
pharmachoreography,
sanatorium,
rhythm,
alienation,
repetition
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Anton Sorokin
desire,
8-BIT DESIRE,
social choreography,
mother-machine,
sports interest,
intimate interfaces,
psychodata,
digital proletariat,
joy acceleration,
pharmachoreography,
speculative synthesis,
htp,
intoxication,
repetition
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Diskrassvet
all to all,
dispersed collectivity,
contingency,
practices of ourselves,
social choreography,
8-BIT DESIRE,
yesterday's unalienated celebration,
h o o o o o o w w w w w l,
joy acceleration,
national academy of sciences as witch,
pharmachoreography,
political dancefloor,
rhythm,
intoxication
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Jura Shust
from the future at the present,
intimate interfaces,
h o o o o o o w w w w w l,
desire,
contingency,
joy acceleration,
pharmachoreography,
political dancefloor,
national academy of sciences as witch,
yesterday's unalienated celebration,
great stone,
rhythm,
repetition
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0s+1s Collective and Masha Kotlyachkova
cyberfeminism,
intimate interfaces,
mother-machine,
dispersed collectivity,
affective labour,
practices of ourselves,
digital proletariat,
joy acceleration,
extensions,
pharmachoreography,
political dancefloor,
protocols of self-organisation,
speculative synthesis,
terror of relationship,
rhythm,
repetition,
care virus
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Mia D. Suppiej
intimate interfaces,
mother-machine,
desire,
sports interest,
practices of ourselves,
h o o o o o o w w w w w l,
contingency,
irla: an ideal rejection letter to an artist,
joy acceleration,
extensions,
pharmachoreography,
tongue and teeth of creativity,
rhythm,
coincidance
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Tanja Setsko
path stop,
practices of ourselves,
affective labour,
left melancholy,
production drama,
dispersed collectivity,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
pharmachoreography,
protocols of self-organisation,
sanatorium,
alienation,
weak disease,
intoxication,
care virus
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Alexandra Novozhenova
from the future at the present,
quick knowledge,
mother-machine,
practices of ourselves,
production drama,
all to all,
joy acceleration,
extensions,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis,
tongue and teeth of creativity,
rhythm,
repetition
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Masha Kotlyachkova
quick knowledge,
all to all,
yesterday's unalienated celebration,
dacha,
desire,
practices of ourselves,
sports interest,
practice of small movements,
extensions,
pharmachoreography,
sanatorium,
intoxication,
care virus
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Vera Kavaleuskaya, Sasha Smirnova
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WORK HARD! PLAY HARD! working group
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Alisa Oleva
alienation,
weak disease,
intoxication,
care virus,
affective labour,
corridor anomalies,
extensions,
intimate interfaces,
object,
outsourcing,
pharmachoreography,
practice of small movements,
sanatorium,
terror of relationship
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Arina Nesterova, Nikita Nechaev
rhythm,
weak disease,
intoxication,
care virus,
all to all,
corridor anomalies,
h o o o o o o w w w w w l,
irla: an ideal rejection letter to an artist,
national academy of sciences as witch,
pharmachoreography,
practices of ourselves,
sanatorium
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Klabukova Lena & Katya Pislari
intoxication,
repetition,
weak disease,
coincidance,
contingency,
corridor anomalies,
dispersed collectivity,
extensions,
intimate interfaces,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis
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Olia Sosnovskaya
alienation,
desire,
extractive capitalism,
intimate interfaces,
intoxication,
pharmachoreography,
political dancefloor,
production drama,
rhythm,
social choreography,
weak disease
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Three Julietttes (Uliana Bychenkova,Janna Dolgova, Inna Krasnoper)
care virus,
coincidance,
contingency,
corridor anomalies,
cyberfeminism,
desire,
intimate interfaces,
intoxication,
pharmachoreography,
rhythm,
terror of relationship,
yesterday's unalienated celebration
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«Union of convalescents» and playfellows
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cyberfeminism, intimate interfaces, mother-machine, dispersed collectivity, affective labour, practices of ourselves, digital proletariat, joy acceleration, extensions, pharmachoreography, political dancefloor, protocols of self-organisation, speculative synthesis, terror of relationship, rhythm, repetition, care virus
