Protocols are formed as systems of rules. However, this model is not immutable. To the contrary, it is intrinsically multilayered, the system of rules could be re-established and redesigned. There are affects, emotions, attractions and neuroses that invisibly or visibly grow in the process of acting out those sets of rules. Protocols as scenarios, procedures or algorithms, as a formalisation of certain logics and operations. Along with their flexibility. What is to be controlled and programed and what to be kept spontaneous or “unsafe”: failures and breakages, transparent zones and blind spots, open and “closed” calls, emotional and political relations, desires and discipline?
Author: WHPH working group
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Nadia Degtyareva, Nick Degtyarev
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Alisa Oleva
social choreography,
dispersed collectivity,
psychodata,
corridor anomalies,
path stop,
practice of small movements,
extensions,
places of transparency,
protocols of self-organisation,
self-destructing structures,
rhythm,
repetition
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Anastasia Kizilova
affective labour,
desire,
spontaneous grassroots alternative,
collection,
all to all,
contingency,
irla: an ideal rejection letter to an artist,
protocols of self-organisation,
self-destructing structures,
speculative synthesis,
tongue and teeth of creativity,
care virus
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0s+1s Collective and Masha Kotlyachkova
cyberfeminism,
intimate interfaces,
mother-machine,
dispersed collectivity,
affective labour,
practices of ourselves,
digital proletariat,
joy acceleration,
extensions,
pharmachoreography,
political dancefloor,
protocols of self-organisation,
speculative synthesis,
terror of relationship,
rhythm,
repetition,
care virus
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Pyotr Vladimirov
outsourcing,
quick knowledge,
social choreography,
spontaneous grassroots alternative,
exploitation of hidden motivation,
psychodata,
contingency,
joy acceleration,
national academy of sciences as witch,
places of transparency,
protocols of self-organisation,
tongue and teeth of creativity,
exclusion of non-perspective pedestrians,
coincidance
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Alexandra Novozhenova
from the future at the present,
desire,
affective labour,
practices of ourselves,
production drama,
all to all,
joy acceleration,
protocols of self-organisation,
speculative synthesis,
rhythm,
repetition,
coincidance
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Tanja Setsko
path stop,
practices of ourselves,
affective labour,
left melancholy,
production drama,
dispersed collectivity,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
pharmachoreography,
protocols of self-organisation,
sanatorium,
alienation,
weak disease,
intoxication,
care virus
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APART
from the future at the present,
quick knowledge,
all to all,
extractive capitalism,
desire,
mother-machine,
practices of ourselves,
production drama,
digital proletariat,
practice of small movements,
extensions,
speculative synthesis,
tongue and teeth of creativity,
protocols of self-organisation,
great stone
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Apparatus 22 and Sergey Kantsedal
affective labour,
collection,
contingency,
dispersed collectivity,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practices of ourselves,
protocols of self-organisation,
quick knowledge,
tongue and teeth of creativity,
yesterday's unalienated celebration
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Lika Kareva
from the future at the present,
8-BIT DESIRE,
extractive capitalism,
cyberfeminism,
contingency,
mother-machine,
joy acceleration,
extensions,
self-destructing structures,
speculative synthesis,
htp,
protocols of self-organisation,
great stone,
rhythm
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Tae Ateh
h o o o o o o w w w w w l,
intimate interfaces,
mother-machine,
object,
psychodata,
dispersed collectivity,
social choreography,
national academy of sciences as witch,
tongue and teeth of creativity,
protocols of self-organisation,
great stone,
alienation
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WORK HARD! PLAY HARD! working group
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Your mother’s maiden name
h o o o o o o w w w w w l,
affective labour,
yesterday's unalienated celebration,
desire,
practices of ourselves,
dispersed collectivity,
social choreography,
political dancefloor,
terror of relationship,
protocols of self-organisation,
rhythm,
care virus,
repetition
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Alisa Oleva
rhythm,
alienation,
repetition,
exclusion of non-perspective pedestrians,
coincidance,
contingency,
dispersed collectivity,
exploitation of hidden motivation,
h o o o o o o w w w w w l,
joy acceleration,
protocols of self-organisation,
quick knowledge,
social choreography,
sports interest
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Andrew Paterson and Anna Huana
alienation,
repetition,
care virus,
all to all,
affective labour,
collection,
corridor anomalies,
desire,
path stop,
practices of ourselves,
terror of relationship,
protocols of self-organisation
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Anna Tereshkina, Helga Zinzyver
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eeefff
repetition,
care virus,
coincidance,
weak disease,
intoxication,
all to all,
corridor anomalies,
digital proletariat,
dispersed collectivity,
outsourcing,
protocols of self-organisation,
production drama,
sanatorium
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Kirila Cvetkovska, Vera Zalutskaya
rhythm,
weak disease,
care virus,
8-BIT DESIRE,
corridor anomalies,
dacha,
digital proletariat,
path stop,
practices of ourselves,
practice of small movements,
protocols of self-organisation,
sanatorium,
tongue and teeth of creativity
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Lena Ischenko, Anya Litovskih, Masha Sarycheva, Tonya Trubitsyna
great stone,
weak disease,
repetition,
exclusion of non-perspective pedestrians,
extractive capitalism,
from the future at the present,
practice of small movements,
self-destructing structures,
protocols of self-organisation,
production drama,
social choreography,
tongue and teeth of creativity
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Netzwerk für revolutionäre Ungeduld // FUTUR3 festival-crew
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Uliana Bychenkova, Aliaxey Talstou, Tatiana Efrussi
cyberfeminism, intimate interfaces, mother-machine, dispersed collectivity, affective labour, practices of ourselves, digital proletariat, joy acceleration, extensions, pharmachoreography, political dancefloor, protocols of self-organisation, speculative synthesis, terror of relationship, rhythm, repetition, care virus
outsourcing, quick knowledge, social choreography, spontaneous grassroots alternative, exploitation of hidden motivation, psychodata, contingency, joy acceleration, national academy of sciences as witch, places of transparency, protocols of self-organisation, tongue and teeth of creativity, exclusion of non-perspective pedestrians, coincidance
from the future at the present, quick knowledge, all to all, extractive capitalism, desire, mother-machine, practices of ourselves, production drama, digital proletariat, practice of small movements, extensions, speculative synthesis, tongue and teeth of creativity, protocols of self-organisation, great stone
