Exploitation of hidden motivation. Each action has its own motivation. Also, traditionally artist this shares the impression, show his/her vision of the world or even create his/her own, the desire to share the pain, hatred and other negative and positive feelings. New critical practices contain various experiments based on idea and specific narratives. But there are a lot of hidden motivations, which only manifest themselves subconsciously. In my performance, I tried to use directly Nietzsche’s “thirst for power” and force her to leave her “drawing”, which my mind would not control. In many ways this subconscious desire moves a person to action, including the acquisition of knowledge, through which he expands his sphere of influence. It is curious that the game of points is popular precisely during lectures and lessons. Thus, students “bypass” the whole cycle of becoming, satisfying this hidden motive immediately.
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outsourcing, quick knowledge, social choreography, spontaneous grassroots alternative, exploitation of hidden motivation, psychodata, contingency, joy acceleration, national academy of sciences as witch, places of transparency, protocols of self-organisation, tongue and teeth of creativity, exclusion of non-perspective pedestrians, coincidance
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corridor anomalies, outsourcing, affective labour, quick knowledge, all to all, desire, practices of ourselves, production drama, path stop, spontaneous grassroots alternative, exploitation of hidden motivation, irla: an ideal rejection letter to an artist, practice of small movements, tongue and teeth of creativity, care virus, weak disease
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