Deprivatized, with a vector from the personal to the political, from Foucault to the xenofeminist manifesto. Postuling radical anti-essentialism and the maximum extended field of application of technology.
What is interesting for us in them is the conjugation of the human with the inhuman. Reconstruction of the perception of oneself through the concept of an interface that would not be alienated. That would have been our comrade in navigation in the areas of reality, operating at different speeds.
The way for this is a radical alienation, outlined in the xenofeminist manifesto, that starts from labor and through emotional labor comes to the human in general.
Performative fictions and learning through living are practices that capture the field of meanings, previously occupied by adaption to the set conditions of someone else. They are a tool to separate oneself from the self-torturing logic of self-improvement and success.
Here recursiveness is important for us, when none of the achieved states is finite and everything could be reconsidered.
Author: Nicolay Spesivtsev
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Nadia Degtyareva, Nick Degtyarev
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Anna Shcherbyna
sports interest,
affective labour,
practices of ourselves,
intimate interfaces,
joy acceleration,
extensions,
pharmachoreography,
sanatorium,
rhythm,
alienation,
repetition
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Diskrassvet
all to all,
dispersed collectivity,
contingency,
practices of ourselves,
social choreography,
8-BIT DESIRE,
yesterday's unalienated celebration,
h o o o o o o w w w w w l,
joy acceleration,
national academy of sciences as witch,
pharmachoreography,
political dancefloor,
rhythm,
intoxication
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0s+1s Collective and Masha Kotlyachkova
cyberfeminism,
intimate interfaces,
mother-machine,
dispersed collectivity,
affective labour,
practices of ourselves,
digital proletariat,
joy acceleration,
extensions,
pharmachoreography,
political dancefloor,
protocols of self-organisation,
speculative synthesis,
terror of relationship,
rhythm,
repetition,
care virus
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Mia D. Suppiej
intimate interfaces,
mother-machine,
desire,
sports interest,
practices of ourselves,
h o o o o o o w w w w w l,
contingency,
irla: an ideal rejection letter to an artist,
joy acceleration,
extensions,
pharmachoreography,
tongue and teeth of creativity,
rhythm,
coincidance
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Alexandra Novozhenova
from the future at the present,
desire,
affective labour,
practices of ourselves,
production drama,
all to all,
joy acceleration,
protocols of self-organisation,
speculative synthesis,
rhythm,
repetition,
coincidance
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Tanja Setsko
path stop,
practices of ourselves,
affective labour,
left melancholy,
production drama,
dispersed collectivity,
contingency,
irla: an ideal rejection letter to an artist,
extensions,
pharmachoreography,
protocols of self-organisation,
sanatorium,
alienation,
weak disease,
intoxication,
care virus
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Alexandra Novozhenova
from the future at the present,
quick knowledge,
mother-machine,
practices of ourselves,
production drama,
all to all,
joy acceleration,
extensions,
national academy of sciences as witch,
pharmachoreography,
speculative synthesis,
tongue and teeth of creativity,
rhythm,
repetition
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Postanatomical theatre Maailmanloppu
h o o o o o o w w w w w l,
corridor anomalies,
affective labour,
desire,
intimate interfaces,
mother-machine,
practices of ourselves,
dispersed collectivity,
extensions,
terror of relationship,
alienation,
rhythm
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Anya Scherbyna
corridor anomalies,
outsourcing,
affective labour,
quick knowledge,
all to all,
desire,
practices of ourselves,
production drama,
path stop,
spontaneous grassroots alternative,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practice of small movements,
tongue and teeth of creativity,
care virus,
weak disease
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APART
from the future at the present,
quick knowledge,
all to all,
extractive capitalism,
desire,
mother-machine,
practices of ourselves,
production drama,
digital proletariat,
practice of small movements,
extensions,
speculative synthesis,
tongue and teeth of creativity,
protocols of self-organisation,
great stone
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Apparatus 22 and Sergey Kantsedal
affective labour,
collection,
contingency,
dispersed collectivity,
exploitation of hidden motivation,
irla: an ideal rejection letter to an artist,
practices of ourselves,
protocols of self-organisation,
quick knowledge,
tongue and teeth of creativity,
yesterday's unalienated celebration
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Frida Sandström
from the future at the present,
corridor anomalies,
yesterday's unalienated celebration,
practices of ourselves,
dispersed collectivity,
social choreography,
practice of small movements,
joy acceleration,
political dancefloor,
speculative synthesis,
rhythm,
coincidance
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Lena Klabukova
corridor anomalies,
quick knowledge,
extractive capitalism,
desire,
intimate interfaces,
mother-machine,
oriental retromania,
practices of ourselves,
psychodata,
sports interest,
practice of small movements,
extensions,
national academy of sciences as witch,
sanatorium,
great stone,
intoxication,
care virus
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Masha Kotlyachkova
quick knowledge,
all to all,
yesterday's unalienated celebration,
dacha,
desire,
practices of ourselves,
sports interest,
practice of small movements,
extensions,
pharmachoreography,
sanatorium,
intoxication,
care virus
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atom
8-BIT DESIRE,
yesterday's unalienated celebration,
dacha,
intimate interfaces,
practices of ourselves,
object,
path stop,
spontaneous grassroots alternative,
sports interest,
exploitation of hidden motivation,
joy acceleration,
extensions,
sanatorium,
alienation,
rhythm
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Marina Russkikh and Helga Zinzyver
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Maria Sarycheva and Elena Ischenko in collaboration with Blue 321
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Welcome To The Dollhouse!
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Your mother’s maiden name
h o o o o o o w w w w w l,
affective labour,
yesterday's unalienated celebration,
desire,
practices of ourselves,
dispersed collectivity,
social choreography,
political dancefloor,
terror of relationship,
protocols of self-organisation,
rhythm,
care virus,
repetition
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Aleksei Borisionok
great stone,
rhythm,
alienation,
weak disease,
care virus,
affective labour,
contingency,
dispersed collectivity,
h o o o o o o w w w w w l,
intimate interfaces,
practice of small movements,
practices of ourselves
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Andrew Paterson and Anna Huana
alienation,
repetition,
care virus,
all to all,
affective labour,
collection,
corridor anomalies,
desire,
path stop,
practices of ourselves,
terror of relationship,
protocols of self-organisation
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Antonina Stebur
alienation,
repetition,
care virus,
affective labour,
corridor anomalies,
desire,
path stop,
practices of ourselves,
production drama,
psychodata,
quick knowledge,
terror of relationship
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Anya and Valentine
alienation,
weak disease,
intoxication,
care virus,
8-BIT DESIRE,
all to all,
extensions,
h o o o o o o w w w w w l,
intimate interfaces,
practice of small movements,
practices of ourselves,
self-destructing structures,
spontaneous grassroots alternative,
yesterday's unalienated celebration
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Arina Nesterova, Nikita Nechaev
rhythm,
weak disease,
intoxication,
care virus,
all to all,
corridor anomalies,
h o o o o o o w w w w w l,
irla: an ideal rejection letter to an artist,
national academy of sciences as witch,
pharmachoreography,
practices of ourselves,
sanatorium
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Egor Sofronov
repetition,
weak disease,
coincidance,
8-BIT DESIRE,
all to all,
collection,
digital proletariat,
intimate interfaces,
object,
practices of ourselves,
psychodata,
quick knowledge
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Kassandra
rhythm,
repetition,
desire,
extensions,
h o o o o o o w w w w w l,
mother-machine,
political dancefloor,
practices of ourselves,
social choreography,
yesterday's unalienated celebration,
speculative synthesis
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Kirila Cvetkovska, Vera Zalutskaya
rhythm,
weak disease,
care virus,
8-BIT DESIRE,
corridor anomalies,
dacha,
digital proletariat,
path stop,
practices of ourselves,
practice of small movements,
protocols of self-organisation,
sanatorium,
tongue and teeth of creativity
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Sasha Pistoletova and Yozhi Stolet
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