Characteristics of the environment (optical, acoustic or other): transparency, fluidity, crystality, glassiness.
The places of fragility: shatters of the VDNKh, national library of Belarus, slepyanskaya water system, the institutions disappearing before your eyes, collective production as aesthetics, “Liner” restaurant at the National airport, skeletons of uncompleted hotels, under-utilised malls with deserted corridors and hollow boxes.
Transparent environments like new residential complexes, hotels, casinos, business centers, whose outlines and glass flesh are meant to signify modernity and economic growth; through the transparent bodies of which shine the skeletons of capital and corruption schemes; the dazzling glare of their surfaces does not allow to peer and hold the gaze, reflecting the ghostly piles of the (post-socialist) city, obscuring the places of memory. Transparency like exposure and possibility to see the inside.
Author: Olia Sosnovskaya
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Union “OBSERVATION²” (Aleksei Naumchik and Maksim Sarychev)
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Alisa Oleva
social choreography,
dispersed collectivity,
psychodata,
corridor anomalies,
path stop,
practice of small movements,
extensions,
places of transparency,
protocols of self-organisation,
self-destructing structures,
rhythm,
repetition
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Pyotr Vladimirov
outsourcing,
quick knowledge,
social choreography,
spontaneous grassroots alternative,
exploitation of hidden motivation,
psychodata,
contingency,
joy acceleration,
national academy of sciences as witch,
places of transparency,
protocols of self-organisation,
tongue and teeth of creativity,
exclusion of non-perspective pedestrians,
coincidance
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Vital Shchutski
corridor anomalies,
collection,
object,
desire,
psychodata,
social choreography,
quick knowledge,
places of transparency,
self-destructing structures,
htp,
exclusion of non-perspective pedestrians
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Alisa Oleva
corridor anomalies,
affective labour,
intimate interfaces,
dispersed collectivity,
social choreography,
practice of small movements,
extensions,
places of transparency,
terror of relationship,
rhythm,
care virus,
alienation
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Andrei Karpeka and Nastia Tulayeva
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atom
h o o o o o o w w w w w l,
all to all,
intimate interfaces,
contingency,
dispersed collectivity,
social choreography,
spontaneous grassroots alternative,
sports interest,
joy acceleration,
places of transparency,
rhythm,
repetition
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Ju Toman
corridor anomalies,
outsourcing,
quick knowledge,
desire,
object,
production drama,
social choreography,
digital proletariat,
places of transparency,
tongue and teeth of creativity,
htp,
alienation
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Maria Rybka and Yuriy Kuzmenko
corridor anomalies,
outsourcing,
extractive capitalism,
desire,
object,
digital proletariat,
extensions,
places of transparency,
self-destructing structures,
htp,
great stone,
intoxication
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Uladzimir Hramovich
from the future at the present,
quick knowledge,
extractive capitalism,
all to all,
left melancholy,
production drama,
national academy of sciences as witch,
places of transparency,
self-destructing structures,
alienation,
exclusion of non-perspective pedestrians,
great stone
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akunka
rhythm,
intoxication,
repetition,
exclusion of non-perspective pedestrians,
coincidance,
all to all,
dispersed collectivity,
collection,
desire,
h o o o o o o w w w w w l,
joy acceleration,
places of transparency,
psychodata,
social choreography
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n i i c h e g o d e l a t (Research Institute of doing nothing)
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Netzwerk für revolutionäre Ungeduld // FUTUR3 festival-crew
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